Mithlo, Nancy Marie
I-Portal Content
"Give, Give, Giving": Cultural Translations
Alternate Title
Vision, Space, Desire: Global Perspectives and Cultural Hybridity
E-Books » Chapters
Author/Creator
Nancy Marie Mithlo
Description
Comments on three exhibits at the Venice Biennale sponsored by the Native American Arts Alliance.
Chapter from Vision, Space, Desire: Global Perspectives and Cultural Hybridity.
"Imagine Trying to Convince the World You Exist"
Alternate Title
"Our Indian Princess": Subverting the Stereotype
[School for Advanced Research Global Indigenous Politics Series]
E-Books » Chapters
Author/Creator
Nancy Marie Mithlo
Tammy Rahr
Description
Commentary on interview with artist Tammy Rahr.
Chapter one from: "Our Indian Princess": Subverting the Stereotype by Nancy Marie Mithlo.
"Red Man's Burden": The Politics of Inclusion in Museum Settings
Articles » Scholarly, peer reviewed
Author/Creator
Nancy Marie Mithlo
American Indian Quarterly, vol. 28, no. 3/4, The Recovery of Indigenous Knowledge, Summer/Autumn, 2004, pp. 743-763
Description
States that the degree of Indigenous knowledge that is incorporated into the exhibit content is crucial. Also, how research questions are chosen is key as well.
“A Real Feminine Journey”: Locating Indigenous Feminisms in the Arts
Articles » Scholarly, peer reviewed
Author/Creator
Nancy Marie Mithlo
Meridians, vol. 9, no. 2, 2009, pp. 1-30
Description
Discusses how contemporary arts demonstrates how Indigenous communities become gendered communities as a result of colonialism.
Unsettling America: The Uses of Indianness in the 21st Century
Book Reviews
Author/Creator
Nancy Marie Mithlo
American Indian Culture and Research Journal, vol. 38, no. 3, 2014, pp. 202-205
Description
Book review of: Unsettling America by C. Richard King.
Scroll down to page 202 to read review.
A Realist View of Image Politics Reclamation of the "Every Indian"
Alternate Title
[Re]inventing the Wheel: Advancing the Dialogue on Contemporary American Indian Art
E-Books » Chapters
Author/Creator
Nancy Marie Mithlo
Description
Looks at the consequences of stereotypical images.
Chapter 4 from: [Re]inventing the Wheel: Advancing the Dialogue on Contemporary American Indian Art edited by Nancy J. Blomberg.
Air, Land, Seed and Octopus Dreams: Exhibition Catalog
Documents & Presentations
Author/Creator
Sherwin Bitsui
Nancy Marie Mithlo
Suzanne Newman Fricke
Description
Catalog features the works of two exhibitions featuring Native American artists at 516 Arts, June 29-September 2013, New Mexico.
Being and Belonging: The State of the Field
Documents & Presentations
Author/Creator
Nancy Marie Mithlo
Description
Discusses how Native American arts might be more meaningfully integrated into the cultural mainstream.
Contemporary Native American Women Artists of the Great Plains
Alternate Title
[Plains Women Artists]
Media » Film and Video
Author/Creator
Carol Emarthle-Douglas
Anita Fields
Teri Greeves
Nancy Marie Mithlo
Description
Three artists who participated in the exhibition Tipi: Heritage of the Great Plains discuss the relationship between their culture, personal lives, and their work.
Duration: 1:59:05.
Decentering Durham
Articles » Scholarly, peer reviewed
Author/Creator
Nancy Marie Mithlo
American Indian Culture and Research Journal, vol. 43, no. 4, Fraud in Native American Communities, 2019, pp. 25-28
Description
Discussion of the controversy surrounding the identity of artist Jimmie Durham and the exhibition Jimmie Durham: At the Center of the World. Durham's claims to having Cherokee ancestry are denied by the Cherokee Nation. Author argues that by displaying Durham's works the art establishment may be seen to be substantiating his claims and invalidating tribes' sovereignty over citizenship.
IAIA Rocks the Sixties: The Painting Revolution at the Institute of American Indian Arts
Alternate Title
Exhibition Review: IAIA Rocks the Sixties
Articles » Scholarly, peer reviewed
Author/Creator
Nancy Marie Mithlo
Museum Anthropology, vol. 24, no. 2/3, September 2000, pp. 63-68
Description
Review of an exhibition featuring the work of 21 students and guest curated by Charleen Touchette.
Introduction: Fraud in Native American Communities: Essays in Honor of Suzan Shown Harjo
Articles » Scholarly, peer reviewed
Author/Creator
Nancy Marie Mithlo
American Indian Culture and Research Journal, vol. 43, no. 4, Fraud in Native American Communities, 2019, pp. 1-8
Description
Overview of the articles included in this themed issue about misrepresentations of Native identity.
Knowing Native Arts
E-Books
Author/Creator
Nancy Marie Mithlo
Lost O'Keeffes/Modern Primitives: The Culture of Native American Art
Alternate Title
Reservation X: The Power of Place in Aboriginal Contemporary Art
E-Books » Chapters
Author/Creator
Nancy Marie Mithlo
Description
Comments on an exhibit showcasing four Native American women artists.
Chapter from Reservation X: The Power of Place in Aboriginal Contemporary Art edited by Gerald McMaster.
Manifestations: New Native Art Criticism
Documents & Presentations
Author/Creator
Nancy Marie Mithlo
Description
Aimed at educators in Grades 9-12 and college-level instructors. For use with book of the same name.
No Word For Art in Our Language?: Old Questions, New Paradigms
Articles » Scholarly, peer reviewed
Author/Creator
Nancy Marie Mithlo
Wicazo Sa Review, vol. 27, no. 1, Spring, 2012, pp. 111-126
Description
Considers three key strategies to articulate the place of Indian arts in broader Indigenous studies.
Reappropriating Redskins: Pellerossasogna (Red Skin Dream), Shelley Niro at the 50th La Biennale Di Venezia
Alternate Title
Indigenous Arts Action Alliance 2003 Venice Biennale Exhibit
Articles » Scholarly, peer reviewed
Author/Creator
Nancy Marie Mithlo
Visual Anthropology Review, vol. 20, no. 2, Fall, 2004, pp. 22-35
Description
Discusses film, The Shirt to understand Native authenticity and identity.
Reservation X: The Power of Place in Aboriginal Contemporary Art
E-Books
Author/Creator
Gerald McMaster
Paul Chaat Smith
Charlotte Townsend-Gault
Nancy Marie Mithlo
Staging the Indian: The Politics of Representation
Articles » Scholarly, peer reviewed
Author/Creator
Nancy Marie Mithlo
American Anthropologist, vol. 105, no. 1, Biological Anthropology: Historical Perspectives on Current Issues, Disciplinary Connections ..., March 2003, pp. 156-161
Description
Discusses the exhibit, Staging the Indian, at the Tang Teaching Museum and Art Gallery at Skidmore College.
The Artist Knows Best: The De-Professionalism of a Profession
Articles » Scholarly, peer reviewed
Author/Creator
Nancy Marie Mithlo
American Indian Culture and Research Journal, vol. 43, no. 4, Fraud in Native American Communities: Essays in Honor of Suzan Shown Harjo, 2019, pp. 65-76
Description
An examination of the art world's control over Indigenous art, placing the importance of art over tribal sovereignty, in regards to the Jimmie Durham Cherokee ancestry debate.
The Routledge Companion to Indigenous Art Histories in the United States and Canada
E-Books
Author/Creator
Heather Igloliorte
Carla Taunton
Jolene Rickhard
Mique'l Dangeli
Heather Ahtone
Heather Campbell ...
Jason Edward Lewis
Steven Loft
Sherry Farrell Racette ...
Kathleen Ash-Milby
Logan MacDonald
Adrian Stimson ...
Mikinaak Magwans
Erin Sutherland
Dylan Miner
Gerald McMaster
Celestino Castillo
Nancy Marie Mithlo
Julie Nagam
Cathy Mattes
Miranda Belarde-Lewis
Krista Ulujuk Zawadski
Jamie Isaac
Peter Morin
David Garneau ...
Travis Wysote
Stephen Foster
Mike Evans
Rachelle Dickenson
Jonathan Lainey
Mary Longman
Tanya Lukin Linklater
Carmen Robertson
Lisa Myers
Nadia Jackinsky-Sethi
Visualities: Perspectives on Contemporary American Indian Film and Art
Book Reviews
Author/Creator
Nancy Marie Mithlo
Great Plains Quarterly, vol. 34, no. 1, Winter, 2014, pp. 106-107
Description
Book review of: Visualities edited by Denise K. Cummings.
What We Do and Do Not Talk About: The Place of Indigenous Arts Dialogue
Alternate Title
Unlimited Boundaries: Dichotomy of Place in Contemporary Native American Art
E-Books » Chapters
Author/Creator
Nancy Marie Mithlo
Description
Excerpt from Unlimited Boundaries: Dichotomy of Place in Contemporary Native American Art exhibition organized by The Albuquerque Museum in collaboration with the Indian Pueblo Cultural Center, January 28-April 15, 2007.