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|Hustling and Hoaxing: Institutions, Modern Styles, and Yeffe Kimball’s “Native” Art|
American Indian Culture and Research Journal, Vol. 43, No. 4, Fraud in Native American Communities: Essays in Honor of Suzan Shown Harjo, 2019, pp. 77-92.
Uses the work of the self-proclaimed Osage artist to discuss the way that American culture's definition of "Indianness" allowed her to achieve success but created barriers for other Indigenous female artists.