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|Differences for Our Daughters: Racialized Sexism in Art, Mass Media, and Law|
Canadian Woman Studies, Vol. 19, No. 1 & 2, Women and Justice, Spring/Summer, 1999, pp. 209-214.
Looks at Colleen Whiten's feminist art installation, Seducing the Receiver (1994-1995) in relation to the Paul Bernardo and John Crawford murder cases.