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|Closing the Gap: Ethics and the Law in the Exhibition of Contemporary Native Art|
American Indian Culture and Research Journal, Vol. 43, No. 4, Fraud in Native American Communities: Essays in Honor of Suzan Shown Harjo, 2019, pp. 115-122.
Discusses how decreased funding for museums and art galleries has lead to an increased effort to secure Indigenous art in order to acquire grants. Uses Jimmie Durham as a case study and an examination of the Indian Arts and Crafts Act of 1990 to illustrate how the art community's haste to secure Indigenous art has allowed those with a fraudulent identity to benefit.