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|The Cosmological Liveliness of Terril Calder's The Lodge: Animating Our Relations and Unsettling Our Cinematic Spaces|
Studies in American Indian Literatures, Vol. 29, No. 4, Winter, 2017, pp. 1-28.
Examines Calder’s stop-frame animated feature film in the context of animation, ecocinema, and Indigenous studies; focuses on theme of hybridity and métissage.