Galleries, Museums & Exhibitions

Photographs by Alexander Gardner. Includes descriptions.

Traces the history of the Osage Tribal Museum from 1938 on.

Canada's National Museum of Man reached accord in 1977 with Akwesasne Mohawk representatives to return remains.

Reflection paper from the National Gathering on Aboriginal Artistic Expression.

Presents archival material, essays and images centred around themes of totems, residential schools, mentors, community, migration and modernism.

Looks at art-museum attraction to Aboriginal art. Revised article originally titled: "Aboriginal Art as Art: Who Was Interested?".

Book review of: Aboriginal Artists of the Nineteenth Century by Andrew Sayers. Review located by scrolling to page 222.

Saskatchewan Indian Cultural Centre creates a new gallery.

Beaded mats from the Little Pine First Nation on Display at the Saskatoon Arts and Crafts Society Show. Date unknown.

Historical note:

Includes note on back: "When the Saskatoon Arts and Crafts Society disbanded a collection of mats and other articles were given to the museum at Fort Battleford"

Bilingual site provides links to art, reviews, publications, exhibitions, biographies and profiles of artists' exhibiting in the ACC Gallery.

Canadian Heritage Development Studies Thesis (M.A.)--Trent University, 1998.

Anthropology Thesis (M.A.)--The University of British Columbia, 2004.

Curatorial notes for an exhibition of the same name mounted in the Winnipeg Art Gallery, Winnipeg, Manitoba, September 16, 2001 to March 3, 2002. Entire issue on one pdf. To access article, scroll to page 52.

Case study of the partnership between the Royal British Columbia Museum and the family who had owned the curtain in the past.

Art History Thesis (Ph.D.)--The University of New Mexico, 2003

Discussion of artist Lyle Wilson's work which toured as part of the exhibition entitled Lyle Wilson: When Worlds Collide.

Presents lesson plans to assist teachers on traditional clothing of the Northern Plains Indians including the artistic and cultural expression of clothing. Developed for K-12.

Chapter 10 in: How Canadians Communicate III: Contexts of Canadian Popular Culture edited by Bart Beaty, Derek Briton, Gloria Filax, Rebecca Sullivan. Discussion of the exhibition After the Spirit Sang and the ensuing boycott and controversy. Go to page 217 to read the chapter.

Display and description of Alaskan Yup'ik ceremonial items and ancing masks prepared by a team of Yup'ik and others.

Covers the past 100 years of contact between First Nations farmers and non-Aboriginal farmers which in many circumstances depended on the level of respect they had for each other.

Video filmed at the opening of an exhibit entitled A 25 Year Retrospective of the Native American Response to AIDS through Poster Art. Duration: 9:59.

Video filmed during an exhibition entitled A 25 Year Retrospective of the Native American Response to AIDS through Poster Art mounted as part of the first-ever National Native HIV/AIDS Awareness Day, 2007. Duration: 9:40.

Catalog features the works of two exhibitions featuring Native American artists at 516 Arts, June 29-September 2013, New Mexico.

Impression from two Inuit stonecarvers, Kumukluk Saggiak and Elijah Pudlat, as they carved and decorated a mural in the Canadian pavilion at Expo 67. Duration 22.23.

Exhibition was part of the Mendel Art Gallery's Post-Colonial Landscape series, featured 60 paintings from 1960-1990 selected from the Thunder Bay Art Gallery's retrospective The Art of Alex Janvier: His First Thirty Years, 1960-1990.

[Architecture?] Thesis (M.A.)--Cornell University, 2009.

Talk highlights artists featured in the previous international exhibition, held in 2010. Duration: 1:39:53.

Describes the compound, his life and work.

Guide to accompany the virtual exhibit Through the Eyes of the Cree. Organized into four themes containing activities suitable for Kindergarten to Grade 12.

Contends that while the past 50 years of exhibits have been molded by collectors, promoters and merchants, the next 50 years will benefit from the involvement of Inuit artists and others. Entire issue on one pdf. To access article, scroll to page 3.

Comments on the changes that have occurred in representing Aboriginal history and culture within Canadian museums and exhibits.

Book review of: Always an Adventure by Hugh A. Dempsey.

Scroll down for free PDF.

Art collector speaks about his collection, Crossing Cultures, exhibited at the Hood Museum of Art and his trek discovering the art and culture of Indigenous Australia. Duration: 1:02:30.

Photographs and brief descriptions of selections from the museum's collection.

Discusses program which was designed to attract Native Americans into archival and historian professions.

Master's Thesis submitted in 1993 to the Institut Charles V of the University of Paris VII. Content includes: Inventing the Indian and Representing Him from the First Encounters to the Civil War, and Various Images of the Indian: 1860-1917.

Book review of: American Indians and the American Imaginary by Pauline Turner Strong.

Discusses illustrated book covers' depictions of Indigenous peoples of North America. Sample chapter from exhibition catalogue.

American Indian Studies Thesis (Ph.D.)--The University of Arizona, 2013.

Art History Thesis (M.A.)--Concordia University, 2004.

Reviews exhibition and additional context related to the awareness of these objects as ancient art.

Curatorial notes for exhibition of same name mounted at the Winnipeg Art Gallery from April 29 to August 1, 2010. Entire issue on one pdf. To access article scroll to p. 22.

Comments on 39 drawings exhibited at the National Museum of the American Indian in New York.

Comments on the four objectives of the annual exhibition.

Reviews some of the historical background and contents of the collections contained in the Lowie Museum at the University of Berkeley in California.