Commemorating Father Pandosy: Diversification of the Frontier Cultural Complex and Continued Colonial Erasure in Kelowna

Looks at the 2012 unveiling of a sculpture of Father Pandosy and how the use of Sylix knowledge both mitigates the erasure of Indigenous presence and acknowledges the Indigenous community within the framework of a settler-colonial identity.
Author/Creator
Laura Mudde
Open Access
Yes
Primary Source
No
Citation
BC Studies, no. 207, Autumn, 2020, pp. 35-65,156
Publication Date
2020
Resource Type
Articles -- Scholarly, peer reviewed
Format
Text -- HTML
Text -- PDF
Language
Login or Register to create bookmarks.

Export Record

RIS
EndNote
CSV