Hustling and Hoaxing: Institutions, Modern Styles, and Yeffe Kimball’s “Native” Art

Uses the work of the self-proclaimed Osage artist to discuss the way that American culture's definition of "Indianness" allowed her to achieve success but created barriers for other Indigenous female artists.
Author/Creator
Sarah Anne Stolte
Open Access
Yes
Primary Source
No
Citation
American Indian Culture and Research Journal, vol. 43, no. 4, Fraud in Native American Communities: Essays in Honor of Suzan Shown Harjo, 2019, pp. 77-92
Publication Date
2019
Location
Resource Type
Articles -- Scholarly, peer reviewed
Format
Text -- PDF
Language
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