Carving

Profile of the sculptor. Entire issue on one pdf. To access article, scroll to p. 18.

Geography Thesis (Ph.D.)--The University of Michigan, 1981.

Discussion of artist Lyle Wilson's work which toured as part of the exhibition entitled Lyle Wilson: When Worlds Collide.

Brief story reports on the Warramirri people from Elcho Island, Australia permitting the Clinical Oncology Society to use their carving of two snakes as the Society's symbol.

Comments on the oil boom being a major factor for the success of the arts in the mid-1970s through the mid-1980s. Entire issue on one pdf. To access article, scroll to page 7.

Display and description of Alaskan Yup'ik ceremonial items and ancing masks prepared by a team of Yup'ik and others.

Impression from two Inuit stonecarvers, Kumukluk Saggiak and Elijah Pudlat, as they carved and decorated a mural in the Canadian pavilion at Expo 67. Duration 22.23.

Conversation with a Master's student on the history of Inuit art, the concepts of folk art, and the effect art has on the economies of Northern communities. Duration: 36:14.

Analyzes different materials found at different sites like Tremper Mound and Mound City.

Contends that while the past 50 years of exhibits have been molded by collectors, promoters and merchants, the next 50 years will benefit from the involvement of Inuit artists and others. Entire issue on one pdf. To access article, scroll to page 3.

Website contains links to map, photographs of villages, ways of life, activities (includes video clips with transcripts), and teacher resources.

Profile of a prominent Inuit carver and photographer. Entire issue on one pdf. To access article, scroll to page 17.

Brief profile of an Inuit carver who has been carving since the early 1990s. Entire issue on one pdf. To access article, scroll to page 14.

Brief interview with an Inuit carver. Entire issue on one pdf. To access article, scroll to page 25.

Profiles an Inuit artist who carves, paints, sings, writes songs and acts. Entire issue on one pdf. To access article, scroll to page 34.

Looks at Canada's attempts at sovereignty in the north and the eventual creation of Nunavut. Duration: 1:30:00.

Curatorial notes from exhibition mounted at the Winnipeg Art Gallery, Winnipeg, Manitoba, December 9, 2000 to July 9, 2001. Entire issue on one pdf. To access article, scroll to page 39.

Photograph of an Innukshuk at Toronto Airport.

Curatorial notes for exhibition of the same name mounted at the Winnipeg Art Gallery, Manitoba, 1998 Entire issue on one pdf. To access article, scroll to page 30.

Interview with an Inuit carver from Igloolik about when he began to carve, accessibility of materials, and other queries. Entire issue on one pdf. To access article, scroll to page 12.

Social and Cultural Anthropology Thesis (M.A.)--Concordia University, 2010.

Geography Thesis (M.A.)--McGill University, 1992.

Highlights the qualities and influences that make artist's work distinctive. Entire issue on one pdf. To access article, scroll to page 28.

Curatorial notes for exhibition of the same name mounted at the Phoebe A. Hearst Museum of Anthropology, Berkeley, California, October 2000 through September 2001. Entire issue on one pdf. To access article, scroll to page 24.

Exhibition review from the Metro Toronto Convention Centre, 2001. Entire issue on one pdf. To access article, scroll to page 41.

Director of the Bill Holm Centre for the Study of Northwest Coast Art speaks about the works of Holm and Charles Edenshaw, and the problems associated with attribution and authenticity. Duration: 31:20.

Art Thesis (Ph.D.)--Queen's University, 2006.

Survey of artists judged to be innovators in the areas of carving, clay, glass, installation and jewelry.

Two Inuit artists, Oviloo Tunnillie and Martha Tickiq, are interviewed at the Mario Scott Gallery in Vancouver. Entire issue on one pdf. To access article, scroll to page 17.

The interior of the Arts & Crafts Shop [Rankin Inlet, NU]. Part of the "Inuit of Keewatin" series (#28b.).

Review on an exhibition at the Anchorage Museum of History and Art until September 19, 1993 in which art from Canada, Alaska, Greenland, Russia and Lapland was displayed. Entire issue on one pdf. To access article, scroll to page 34.

First presentation discusses dance groups which perform both traditional and modern works and decolonizing the field of art history. Second presentation discusses resilience as demonstrated by women weavers, with a focus on octopus bags created by artist Shgen Doo Tan George. Third presentation discusses the two house posts carved for the Burke Museum as replacements for the originals which had been repatriated. Duration: 1:25:12.

Exhibition review from the Winnipeg Art Gallery, 1994-1995. Entire issue on one pdf. To access article, scroll to page 38.

Interview with one of the principals of Waddington's Auctioneers in Toronto, where the first Inuit art auction was held in 1978. Entire issue on one pdf. To access article, scroll to page 20.

Analyzes art displayed in a sample of households from five areas in the region.

Discusses Bill Reid's, (1920-1998) life and work and the ways his art can be used to analyze Haida and Canadian politics and cultures.

Mandate is to serve cultural and language needs of Nunavik Inuit. Includes links to programs and projects, and a collection of art and handicrafts.

A bear totem pole. [Carved by Mr. Henry Hunt of the Kwawkewlth First Nations. Victoria, B.C.]

Features original paintings by aboriginal artists, inuit sculptures, and traditional crafts and artifacts. Brief artist's biographies are available....

Overview of the organization which began as the Canadian Handicrafts Guild and the events which preceded the first exhibition of Eskimo Art in 1949 as well as the following four years. Entire issue on one pdf. To access article, scroll to page 6.

Exhibition review from the Winnipeg Art Gallery, 1996. Entire article on one pdf. To access article, scroll to page 30.

Highlights artists who work in non-traditional media rather than traditional motifs and materials.

Over 700 citations for books, catalogues of exhibitions, and other sources.

Displays Bill Helin's custom jewelry, sculptures and paintings in the Tsimshian tradition.

Interview with a prominent western Arctic artist. Entire issue on one pdf. To access article, scroll to page 28.

Film highlights the artist Bill Reid and his explanations why cedar is the ideal material for making totem poles. Duration: 45:00.

Book review of: Bill Reid by Doris Shadbolt. To access this review, scroll to page 113.

Website contains links to Virtual Village Project, online exhibits, information on canoes, totem poles, and architecture, and a collection of over 60 pages of images.