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Flights of Fantasy: Kenojuak and Birds
Focus On: Inuit Art at the Canada Council Art Bank
Focus on: Jutai Toonoo, Contemporary Carver
Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People)
Discusses two-panelled work commissioned by the Metropolitan Museum of Art in New York. One panel, entitled Welcoming the Newcomers, depicts the moment of first contact, the other, entitled Resurgence of the People, depicts contemporary struggles of Indigenous peoples.
Garden of Relatives Coloring Book
Colouring pages based on design that features plants and the animals associated with them.
Georgina R. Broomfield
Germaine Arnaktauyok: 2000 Print Collection
Harold Qarliksaq: A Decade of Drawings, 1970-1980
History Painter
Holman: Forty Years of Graphic Art
How Canada Stole the Idea of Native Art: The Group of Seven and Images of the Indian in the 1920's
Identifying Sto:lo Basketry: Exploring Different Ways of Knowing Material Culture
Improving Literacy is in the Bag
Promotes the concept of Storysacks, a technique developed in England, and how First Nations in Canada have adapted it.
Entire issue on one pdf. To access article scroll to p.22.
The Indian's White Man
Inspirit Crossing: The Making of First Nations and Inuit Art
An Intricate Web(b): American Influences on Professional Craft in Canada 1964-1974
Inuit Art and HBC: Lesson Plan
Examines the company's role in fostering the development, promotion, collection and market for Inuit art. Suitable for Grades 4 to 12.
Inuit (Eskimo) Games
An Inuit Perspective: Baker Lake Sculpture
Inuksuit: Silent Messengers of the Arctic
Kent Monkman: Life and Work
Kiakshuk: Images by a Hunter-Artist
Kinscapes, Counter Histories, and Nineteenth-Century Tintypes
Examines a photograph of a North-West Mounted Police officer to discuss how Kinscape can be used to discover more interpretive possibilities within the history of the prairies.
Learn about Western Canada in the Early 1900s through the Art of C.D. Hoy: Teacher Resource Guide for Grades 7-12
Hoy was a photographer who worked in Quesnel, British Columbia at the start of the twentieth century, when the Fraser River and Cariboo Gold Rushes were taking place, resulting in different cultural groups coming together in one location. Many of his portraits were of Indigenous people living in the area. Designed to complement the online exhibition Through the Lens of C.D. Hoy: How a Chinese Canadian Photographer Memorialized a Community.
A Legal Love Letter to My Children: If These Beads Could Talk
Discusses possible changes to the legal system through Indigenous pedagogies.
Mark Seabrook - Ojibwe Artist
Moccasins
Modern Indigenous Curriculum: Teaching Indigenous Knowledge of Handicraft at Sámi Colleges in Finland and Norway
Morrisseau, Norval. Prison Series. The Drawing Center. New York
Motherland
Art Thesis (MA) -- University of Manitoba, 2022.
Movement on the Plains: Northern Plains Indian Artists Association
The Musée de l'Homme's Foureau Robe and Its Moment in the History of Blackfoot Painting
The Native Roots of Modern Art: Rereading the Paintings of Leon Polk Smith
Negotiated Representations: Pueblo Artists and Culture
American Studies Thesis (Ph.D.)--The University of New Mexico, 2001.
Northwest Coast Basketry
Of Kitsch and Kachinas: A Critical Analysis of the Indian Arts and Crafts Act of 1990
The Origins of Pottery Among Late Prehistoric Hunter-Gatherers in California and the Western Great Basin
Padlaya Qiatsuk: Encouraging Young Carvers to Persevere
People of the Blood
Peter Palvik: "I'm Just Not Surrealistic"
Photo Essay: Whaling Images From the Northwest Coast of Alaska
Picturing Sovereignty: Land and Identity in Contemporary Native American Art
The Plains Cree Grotowski
Postcard Views of Indigenous Peoples
The Predicament of Identity
Re-Present-Ing Rock Art
Reconciliation through Revitalization
For use with the article The Big Land, the Kayak and Reconciliation! by Lisa Jane Smith found on page 24 of Remembering the Children.