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Allen Sapp to Receive Merit Award
Ancient Art of the American Woodland Indians
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
The Art of Jessie Oonark: [Ceremonies of Innocence]
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Basketmaking Guides and the Appropriation of Indigenous Basketry
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Cedar
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Community Profile Phil Parr with the Sask Federation of Indians
A Conversation with Nutaraaluk Iyaituk
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Developing Indigenous Visual Arts Transnationally and Across Genres
The Discovery of Inuit Art: James A. Houston - Animateur
Domestic Production Among the Innut of La Romaine: Persistence or Transformation?
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
Flags at full mast outside the Prince Albert Tribal Council Office
Foster Child
Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art
A Fur Trader's Photographs: A.A. Chesterfield in the District of Ungava, 1901-4
Graphic Indigeneity : Comics in the Americas and Australasia
Healing through the Photographic Murals of James "Chip" "Jetsonorama" Thomas
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.
How the Time I Spent with the Inuit Influenced My Work as an Artist
Iljuwas Bill Reid: Life & Work
"Imitation White Man": Images of Transformation at the Carlisle Indian School
Improving Visual Arts Programs for Navajo Students Through Discipline-Based Art Education
"In Her Memory and in the Spirit of Our Ancestors"
In Our Own Words: Bringing Authentic First Peoples Content to the K-3 Classroom
In Retrospect
In Retrospect
In Retrospect
In Retrospect
The Inconvenient Indian
Documentary inspired by the non-fiction book of the same name by Thomas King explores historical attitudes and efforts to colonize Indigenous peoples and contemporary expressions of resistance.
Duration: 1h, 29 min.