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Aboriginal American Weaving
Aboriginal and Torres Strait Islander Visual Arts and Crafts: Study Report
Allan Houser (Haozous): Santa Fe Compound and Sculpture Garden
Anita Issaluk (Lavallee): "Carving is Like a Preserver of our Culture"
Anita Issaluk (Lavallee) "I Took to it Like a Fish to the Sea"
The Arctic Lithograph
The Art That Came In from the Cold
The Beginning
Bill Reid
Bishop Newnham distributing a treat to the Native peoples
[Book Reviews]
Cape Croker - An Evolutionary Historical Tour
Cape Dorset/Stratford Return: Art and Images, 1959-1999
Carving Out a Future: Contemporary Inuit Sculpture of Third Generation Artists From Arviat, Cape Dorset and Clyde River
Celebrating Nunavut
Challenging Boundaries: Seven Serigraphs by Kwakwaka'wakw Artist Francis Dick
Changemakers Lesson Plans: Remote Learning
Lesson plans focus on Native Americans who are fighting invisibility and creating change through their work, contributions from the past, and current actions which will impact the future.
Chasing Down a Dream
Corcoran and Cody: The Two Versions of The Last of the Buffalo
Cover Artist: Kevin Pee-ace
Craft, Ritual, and World View: Ojibwa Ontology Through Transformative Philosophy
Creation and Continuity: Inuit Art From the Shumiatcher Collection
Cross-Cultural Relationships: The Work of Canadian Artist Mildred Valley Thornton
Developing Traditions: Indigenous Projections
Digital Indigeneity: Digital Media's Uses for Identity Formation Education, and Activism by Indigenous People in the Northeastern United States
Drawing (Upon) the Past: Negotiating Identities in Inuit Graphic Arts Production
Dreaming the Dawn: Conversations with Native Artists and Activists
Encounter at Nagalarramba
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 images - Indigenous Woman and Daughter
The Face Pullers: Ch.4 Images - " A Mystery to Solve"
The Face Pullers: Ch.4 Images - " A Mystery to Solve"-2
The Face Pullers: Ch.4 Images - Big Belly
The Face Pullers: Ch.4 Images - Corporal and "Scouts"
The Face Pullers: Ch.4 Images - Inside Medicine Lodge
The Face Pullers: Ch.4 Images - Joe Big Plume
The Face Pullers: Ch.4 Images - Spring Chief
The Face Pullers: Ch.4 Images - Walking Buffalo
The Face Pullers: Ch.4 Images - Yellow Horse, Head Chief
The Face Pullers - Unused Photos- Many Shots and White Headed Chief
First Nations Art: An Introduction to Contemporary Native Artists in Canada
Four Works From Kimmirut
Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People)
Discusses two-panelled work commissioned by the Metropolitan Museum of Art in New York. One panel, entitled Welcoming the Newcomers, depicts the moment of first contact, the other, entitled Resurgence of the People, depicts contemporary struggles of Indigenous peoples.
Garden of Relatives Coloring Book
Colouring pages based on design that features plants and the animals associated with them.