Exhibition was part of the Mendel Art Gallery's Post-Colonial Landscape series, featured 60 paintings from 1960-1990 selected from the Thunder Bay Art Gallery's retrospective The Art of Alex Janvier: His First Thirty Years, 1960-1990.
Inuit Art Quarterly, vol. 14, no. 1, Spring, 1999, pp. 42-44
Description
Exhibition review mounted at the Carleton University Art Gallery, Ottawa, Ontario, September 12 to December 5, 1998.
Entire issue on one pdf. To access article, scroll to page 42.
Inuit Art Quarterly, vol. 9, no. 2, Summer, 1994, pp. 36-38
Description
Exhibition review from the Joseph and Margaret Muscarelle Museum of Art, Virginia, 1993-1994.
Entire issue on one pdf. To access review, scroll to page 36.
Inuit Art Quarterly, vol. 16, no. 2, Summer, 2001, pp. 14-19
Description
Looks at a travelling exhibition featuring a mix of traditional and contemporary artworks.
Entire issue on one pdf. To access article, scroll to page 14.
Journal of American Institute for Conservation, vol. 38, no. 1, 1999, pp. 45-54
Description
Analysis of the two paintings uses evidence to formulate a hypothesis as to why the artist, Albert Biestadt painted two versions and in what order they were painted.
Inuit Art Quarterly, vol. 9, no. 4, Winter, 1994, pp. 31-34
Description
Exhibition reviews of:
The Human Face, March 20 to November 13, 1994.
Matisse: The Inuit Face, April 24 to June 19, 1994.
Entire issue on one pdf. To access article, scroll to page 31.
Inuit Art Quarterly, vol. 16, no. 2, Summer, 2001, pp. 36-38
Description
Curatorial notes for exhibition of the same name mounted at University Art Gallery, Ontario, 2001.
Entire issue on one pdf. To access article, scroll to page 36.
Inuit Art Quarterly, vol. 16, no. 4, Winter, 2001, pp. 22-26
Description
Notes that artists from almost every community in the North are represented in the art bank with Cape Dorset and Baker Lake being most prominent.
Each issue on one pdf. To access article, scroll to page 22.
Looks at aesthetic philosophies, techniques and personal styles of four Aboriginal female artists; Doreen Jensen, Rena Point Bolton, Jane Ash Poitras, Joane Cardinal-Schubert.
Duration: 51:49.
Inuit Art Quarterly, vol. 16, no. 3, Fall, 2001, pp. 18-21
Description
Curatorial notes for the exhibition of the same name mounted at the Winnipeg Art Gallery, Winnipeg, Manitoba, January 20 to March 11, 2001.
Entire issue on one pdf. To access article, scroll to page 18.
Inuit Art Quarterly, vol. 16, no. 2, Summer, 2001, pp. 42-45
Description
Curatorial notes from exhibition of the same name mounted at the Winnipeg Art Gallery, Manitoba, 2001.
Entire issue on one pdf. To access article, scroll to page 42.
Journal of the West, vol. 40, no. 4, Fall, 2001, pp. 26-33
Description
Analyzes art works from the Plains ledger drawings produced at Fort Marian between 1875 and 1978, carved wooden figures by a Hopi artist, and contemporary paintings by a Navajo artist.
Inuit Art Quarterly, vol. 16, no. 1, Spring, 2001, pp. 40-42
Description
Curatorial notes from exhibition of same name mounted at the Singapore Art Museum, Singapore, April 20 to June 25, 2000.
Entire issue on one pdf. To access article, scroll to page 40.
Inuit Art Quarterly, vol. 14, no. 2, Summer, 1999, pp. 34-35
Description
Curatorial notes for exhibition of the same name mounted at the Winnipeg Art Gallery, 1999.
Entire issue on one pdf. To access article, scroll to page 34.
Inuit Art Quarterly, vol. 14, no. 3, Fall, 1999, pp. 35-37
Description
Curatorial notes for exhibition of the same name mounted at the Canadian Museum of Civilization, Quebec, 2000.
Entire issue on one pdf. To access article, scroll to page 35.
Inuit Art Quarterly, vol. 16, no. 4, Winter, 2001, pp. 48-50
Description
Curatorial notes from an exhibition of the same name mounted at the National Gallery of Canada, Ontario, 2001.
Entire issue on one pdf. To access article, scroll to page 48.
Poitras, once labeled an angry artist, believes anger is foreign to Indigenous philosophies and traditions, instead dictates forgiveness. Her works have display evils done to First Nations people by the church, Western materialism, residential schools and alcohol, but her own worldview is that trials and suffering lead to redemption.
Saskatchewan Indian, vol. 31, no. 1, Winter, 2001, pp. 13-15
Description
NPIAA is working to raise the profile of Northern Plains Indian Artists. Includes short biography and examples of the art of some of the artists involved.
Based on the exhibition Shared Visions: Native American Painters and Sculptors in the Twentieth Century, the focus is on artists from the Southwest and Oklahoma.