Inuit Art Quarterly, vol. 9, no. 4, Winter, 1994, pp. 12-18
Description
Interview with an Inuit carver from Igloolik about when he began to carve, accessibility of materials, and other queries.
Entire issue on one pdf. To access article, scroll to page 12.
Cultural Survival Quarterly, vol. 37, no. 1, The Electronic Drum: Community Radios Role in Indigenous Language Revitalization, March 2013, p. [?]
Description
Brief interview provides some insight into artist's work that pushes the boundaries of contemporary art by challenging the perceptions of Indigenous art.
Discusses the difficulties involved in attributing unsigned works to the artist.
Excerpt from Charles Edenshaw curated by Robin K. Wright and Daina Augaitis.
Focuses on two objects from the exhibition (Wasco argillite platter and totem pole) to demonstrate the artist's execution of two-dimensional and three-dimensional design.
Excerpt from Charles Edenshaw curated by Robin K. Wright and Daina Augaitis.
Inuit Art Quarterly, vol. 9, no. 4, Winter, 1994, pp. 31-34
Description
Exhibition reviews of:
The Human Face, March 20 to November 13, 1994.
Matisse: The Inuit Face, April 24 to June 19, 1994.
Entire issue on one pdf. To access article, scroll to page 31.
Inuit Art Quarterly, vol. 9, no. 3, Fall, 1994, pp. 51-57
Description
Interview with Peter Murdoch regarding his work with the Hudson's Bay Company and his involvement in incorporating a cooperative for the people of Povungnituk.
Entire issue on one pdf. To access article, scroll to page 51.
Looks at aesthetic philosophies, techniques and personal styles of four Aboriginal female artists; Doreen Jensen, Rena Point Bolton, Jane Ash Poitras, Joane Cardinal-Schubert.
Duration: 51:49.
Inuit Art Quarterly, vol. 9, no. 3, Fall, 1994, pp. 32-35
Description
Review of an exhibition at the National Gallery of Canada, Ottawa, March 18 to September 11, 1994.
Entire issue on one pdf. To access article, scroll to page 32.
Inuit Art Quarterly, vol. 9, no. 2, Summer, 1994, pp. [30]-35
Description
Exhibition review of: The Inuit Imagination at the Winnipeg Art Gallery, November 7, 1993 to March 13, 1994.
Entire issue on one pdf. To access review, scroll to page 30.
American Indian Quarterly, vol. 18, no. 4, Fall, 1994, pp. 445-[?]
Description
Contends that while contemporary artists acknowledge those who came before, they have developed their own individual styles and the one common thread is their part in environmental, economic, and cultural politics. Article highlights several individual artists.