Cultural Survival Quarterly, vol. 37, no. 1, The Electronic Drum: Community Radios Role in Indigenous Language Revitalization, March 2013, p. [?]
Description
Brief interview provides some insight into artist's work that pushes the boundaries of contemporary art by challenging the perceptions of Indigenous art.
Discusses the difficulties involved in attributing unsigned works to the artist.
Excerpt from Charles Edenshaw curated by Robin K. Wright and Daina Augaitis.
Focuses on two objects from the exhibition (Wasco argillite platter and totem pole) to demonstrate the artist's execution of two-dimensional and three-dimensional design.
Excerpt from Charles Edenshaw curated by Robin K. Wright and Daina Augaitis.
Handwritten annotation on back: "1. Keebu - wolf 2. Hpeesunt - woman with 2 half-bear children 3. Keebu - wolf head down 4. Smaih - bear 5. Keebu - wolf head down 6. Smaih - bear"
Illustrated booklet of totems, including five postcards: three are entitled 'Indian Totem Poles, Kitwanga, BC'; one entitled 'The Lion Totem of Kitwanga, BC'; and one entitled 'Totem Poles Stanley Park Vancouver B.C.' Description sheet duplicates some text in booklet.