Inuit Art Quarterly, vol. 21, no. 2, Summer, 2006, pp. 16-23
Description
Analysis of content of Inuit Art Quarterly and comparison to African Arts and American Indian Art Magazine.
Entire issue on one pdf. To access article, scroll to p. 16.
Arts and Activities, vol. 138, no. 5, January 2006, p. 14
Description
Video explanation, by Peggy Flores, an artist and educator, how the beliefs of the Australian Aborigines are reflected in their art, which in turn shows the connection between man and nature.
Part I: Cultural Protection: The Story of a Saanich Bowl
Articles » Scholarly, peer reviewed
Author/Creator
Patrick Walker
Clarine Ostrove
University of British Columbia Law Review, Special Issue: Material Culture in Flux: Law and Policy of Repatriation of Cultural Property, 1995, pp. [13]-28
Description
Article outlines one possible legal response to the imminent export of a scared object under the Cultural Property Export and Import Act.
Dance Thesis (M.A.)--The American University, 2006.
Lakota Sioux Ghost Dance of 1890 is used as a case study concerning preservation and documentation of traditional dance regalia and material.
Papers From the American Indian Studies Section at the 2006 Western Social Science Association
Articles » General
Author/Creator
Paula Conlon
Indigenous Policy Journal of the Indigenous Studies Network, vol. 17, no. 2, Summer, 2006, p. [?]
Description
Discusses how the resurgence of the Stomp dance, a Native American religious and social dance, is keeping the Eastern Woodlands tribes alive and well.
Access through table of contents.
University of British Columbia Law Review, Special Issue: Material Culture in Flux: Law and Policy of Repatriation of Cultural Property, 1995, pp. 165-181
Description
Discusses various aspects of appropriation: historical and modern methods, justifications given, political implications, current legal framework and proposals for protection.
Inuit Art Quarterly, vol. 14, no. 1, Spring, 1999, pp. 42-44
Description
Exhibition review mounted at the Carleton University Art Gallery, Ottawa, Ontario, September 12 to December 5, 1998.
Entire issue on one pdf. To access article, scroll to page 42.
American Indian Quarterly, vol. 19, no. 1, Winter, 1995, pp. 1-16
Description
Literary criticism piece that explores the narrative style of poet Joy Harjo; argues that the embedded cultural narratives along with the storytelling format makes Harjo’s poetry a form of both literary resistance and cultural resurgence.
Native American playwright speaks about experience in Mexico at the 30th International Theatre Institute World Congress in Tampico, Tamaulipas, Mexicio.
CMAJ: Canadian Medical Association Journal, vol. 174, no. 7, March 28, 2006, pp. 979-982
Description
Discussion of 2006 exhibition entitled Norval Morrisseau: Shaman Artist held at the National Art Gallery of Canada which featured 59 works spanning 1958-2002.
Journal of the American Institute For Conservation, vol. 34, no. 3, Autumn-Winter, 1995, pp. 187-193
Description
Explores changing factors influencing traditional conservation methods and the role of conservation as it relates to material culture of Native Americans.
Part I: Cultural Protection: The Story of a Saanich Bowl
Articles » Scholarly, peer reviewed
Author/Creator
Diana Henry
University of British Columbia Law Review, Special Issue: Material Culture in Flux: Law and Policy of Repatriation of Cultural Property, 1995, pp. [5]-11
Description
Member of the Saanich Native Heritage Society describes efforts to prevent the sale of an ancient West Coast Saanich bowl to an American dealer, and to have this cultural property returned to their people.
Canadian Review of American Studies, vol. 36, no. 3, 2006, pp. 293-309
Description
Compares the original film from 1914 to the restored 1973 version arguing that the reconstruction still attempts to make a manipulate melodrama into an ethnographic piece.
Inuit Art Quarterly, vol. 14, no. 3, Fall, 1999, pp. 6-16
Description
Overview of the organization which began as the Canadian Handicrafts Guild and the events which preceded the first exhibition of Eskimo Art in 1949 as well as the following four years.
Entire issue on one pdf. To access article, scroll to page 6.