Inuit Art Quarterly, vol. 21, no. 2, Summer, 2006, pp. 16-23
Description
Analysis of content of Inuit Art Quarterly and comparison to African Arts and American Indian Art Magazine.
Entire issue on one pdf. To access article, scroll to p. 16.
Arts and Activities, vol. 138, no. 5, January 2006, p. 14
Description
Video explanation, by Peggy Flores, an artist and educator, how the beliefs of the Australian Aborigines are reflected in their art, which in turn shows the connection between man and nature.
Dance Thesis (M.A.)--The American University, 2006.
Lakota Sioux Ghost Dance of 1890 is used as a case study concerning preservation and documentation of traditional dance regalia and material.
Papers From the American Indian Studies Section at the 2006 Western Social Science Association
Articles » General
Author/Creator
Paula Conlon
Indigenous Policy Journal of the Indigenous Studies Network, vol. 17, no. 2, Summer, 2006, p. [?]
Description
Discusses how the resurgence of the Stomp dance, a Native American religious and social dance, is keeping the Eastern Woodlands tribes alive and well.
Access through table of contents.
Inuit Art Quarterly, vol. 14, no. 1, Spring, 1999, pp. 42-44
Description
Exhibition review mounted at the Carleton University Art Gallery, Ottawa, Ontario, September 12 to December 5, 1998.
Entire issue on one pdf. To access article, scroll to page 42.
Native American playwright speaks about experience in Mexico at the 30th International Theatre Institute World Congress in Tampico, Tamaulipas, Mexicio.
CMAJ: Canadian Medical Association Journal, vol. 174, no. 7, March 28, 2006, pp. 979-982
Description
Discussion of 2006 exhibition entitled Norval Morrisseau: Shaman Artist held at the National Art Gallery of Canada which featured 59 works spanning 1958-2002.
Canadian Review of American Studies, vol. 36, no. 3, 2006, pp. 293-309
Description
Compares the original film from 1914 to the restored 1973 version arguing that the reconstruction still attempts to make a manipulate melodrama into an ethnographic piece.
Inuit Art Quarterly, vol. 14, no. 3, Fall, 1999, pp. 6-16
Description
Overview of the organization which began as the Canadian Handicrafts Guild and the events which preceded the first exhibition of Eskimo Art in 1949 as well as the following four years.
Entire issue on one pdf. To access article, scroll to page 6.
Journal of the History of Collections, vol. 18, no. 2, December 2006, pp. 237-247
Description
Uses the the sacred costume as an example of attitudes toward the acquisition and presentation of material culture; discusses the purchase of the clothing in relation to events taking place in Canada in the 1870s and traces changes in the museum's curatorial practices as demonstrated by its placement in the museum's collection.