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Acquiring and Exhibiting a Nuu-Chah-Nulth Ceremonial Curtain
The Artist Knows Best: The De-Professionalism of a Profession
At the Center of the Controversy: Confronting Ethnic Fraud in the Arts
Bound for the Fair: Chief Joseph, Quanah Parker, and Geronimo and the 1904 St. Louis World’s Fair
Bridging Past and Present: A Study of Precontact Yup'ik Masks from the Nunalleq Site, Alaska
Can Capitalism Be Decolonized? Recentering Indigenous Peoples, Values, and Ways of Life in the Canadian Art Market
A Chapter Closed?
Closing the Gap: Ethics and the Law in the Exhibition of Contemporary Native Art
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
The Commission, the Community, and the Cree Woman in the Attic: Georgina Lightning's Older Than America in Canada's Culture of Redress
Culture and Tourism in the Navajo Country
Deadly Detectives: How Aboriginal Australian Writers are Re-creating Crime Fiction
Decentering Durham
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
"Don't Even Talk to Me if You're Kinya'áanii [Towering House]": Adopted Clans, Kinship, and "Blood" in Navajo Country
Eastern Cherokee Creation and Subsistence Narratives: A Cherokee and Religious Interpretation
Examining the Gathering of Nations Powwow and a NCCA Division I Basketball Game
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.
Facing the Future, Envisioning the Past: Visual Literature and Contemporary Northwest Coast Masks
First-Nations, Métis, and Inuit Drama from Playwrights Canada Press
Four More Indigenous Projects for the Native American Humanities
From Ceremonial Object to Curio: Object Transformation at Port Simpson and Metlakatla, British Columbia in the Nineteenth Century
From Creation Stories to '49 Songs: Cultural Transactions with the White World as Portrayed in Northern Plains Indian Story and Song
The Heritage Boom: Evolution of Historical Resource Conservation in Alberta
Heritagization of Tamu Music: From Lived Culture to Heritage to be Safe-guarded
Hunted and Honoured: Animal Representations in Precontact Masks from the Nunalleq Site, Southwest Alaska
Using archaeological data to better understand the role of animals in precontact Yup'ik communities.
Hustling and Hoaxing: Institutions, Modern Styles, and Yeffe Kimball’s “Native” Art
Indigenous Comics and Graphic Novels: An Annotated Bibliography
Indigenous Knowledge and Prospects for Income and Employment Generation: The Case of Handicraft Production among Rural Women in Tanzania
Interpreting Native American Art and Culture: Transformations and Changes
Ironic Confrontation as a Mode of Resistance: The Homeland Security T- Shirt at the Dakota Access Pipeline Protests
Lines and Circles: The "Rez" Plays of Tomson Highway
Discussion of two plays, The Rez Sisters and Dry Lips Oughta Move to Kapuskasing, which expose the problems, challenges and injustices that Aboriginal people face.
Living in a (Schrödinger’s) Box: Jimmie Durham’s Strategic Use of Ambiguity
A Longitudinal Study of Aboriginal Images in Annual Reports: Evidence from an Arts Council
Analysis of imagery, textual narrative and para-text found in reports produced by the Australian Arts Council over 43 years (1973-2015).
"Lower Than the Angels": The Weight of Jim Logan's Art
'A New Mexican Rebecca': Imaging Pueblo Women
Not Jimmie Durham's Cherokee
Notes on Becoming a Comrade: Indigenous Women, Leadership, and Movement(s) for Decolonization
Author uses her own experiences as non-Indigenous woman of color to explore the challenges in becoming an ally with Indigenous communities fight in their fight for decolonization.
The Oklahoma Plays of R. Lynn Riggs
The Omaha Dance in Oglala and Sicangu Sioux History, 1883-1923
On the Treatment and Reburial of Human Remains: The San Xavier Bridge Project, Tucson, Arizona
Outsourcing Reconciliation: The Government of Canada's #IndigenousReads Campaign and the Appropriation of Indigenous Intellectual Labor
Picturing Canada's Native Landscape: Colonial Expansion, National identity, and the Image of a "Dying Race"
Playing Indian, between Idealization and Vilification: Seems You Have to Play Indian to be Indian
“Poetry [Film] = Anger × Imagination”: Intermediality, the Synthesis of Poetry and Film, and Cross- Cultural Belonging in Sherman Alexie’s The Business of Fancydancing
The Politics of Representation: Some Native Canadian Women Writers
Discussion on reviving traditional storytelling techniques, in new forms, and challenging the Canadian literary tradition.