Argues that the totem poles displayed at the New York World's Fair in 1939 indicated that the production of Northwest coast art had not stopped, as is usually stated, and therefore the "revival" was not as dramatic as it appeared.
Author/Creator
Leslie Dawn
Open Access
Yes
Primary Source
No
Citation
BC Studies, no. 159, Autumn, 2008, pp. 7-[44]
Publication Date
2008
Subjects
Location
Resource Type
Articles -- Scholarly, peer reviewed
Format
Text -- PDF
Language