Collective Guilt, Conservation and Other Postmodern Messages in Contemporary Westerns: Last of the Dogmen and Grey Owl

Author argues that part of the appeal of these films to American audiences lies in their ability to consciously or unconsciously assuage collective guilt over the treatment of the Indigenous peoples, their cultures, and the ecosystems of North America.
Author/Creator
Maureen Trudelle Schwarz
Open Access
Yes
Primary Source
No
Citation
American Indian Culture and Research Journal, vol. 26, no. 1, 2002, pp. 83-105
Publication Date
2002
Resource Type
Articles -- Scholarly, peer reviewed
Format
Text -- PDF
Language
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