Banff

Profile of a prominent Inuit carver and photographer. Entire issue on one pdf. To access article, scroll to page 17.

Focuses on the uniqueness of the Banff Centre's six-week Aboriginal Arts Program and the positive impact it has had on the Aboriginal community.

Entire issue on one pdf. To access article scroll to p.17.

An image of two Aboriginal babies wrapped in blankets and leather and lying on cradle boards. Colours have been added to the photograph in a chromolithograph process.

Examines the influences on representations in terms of socio-economic, political, cultural and historical contexts.

Analysis of the ramifications of Aboriginal participation in the Banff Indian Days and Calgary Stampedes' rodeos and how public performances can change identity narratives and racial categories.

Overview of the history of tourism at Banff, Alberta and the Banff Indian Days Festival.

Informational publication on the progress of the Church of England's missionary work in Canada. Includes a map of the Diocese of Caledonia and some scenic images of the Diocese. Includes images of churches and various group photos.

Historical note:

In 1955 the Church of England in Canada became the Anglican Church of Canada.

Black and white photograph of a young Indigenous girl, Annie Royal, in idealized traditional costume with feather headband. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides

Black and white photograph of a large group of Stoney indigenous persons in idealized traditional clothing standing outside of the Banff Spring Hotel, which dominates the background. Teepees behind the group. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.

Black and white photograph of a group of Stoney men in romanticized traditional clothing sitting on lawn by Banff Springs Hotel. Unused photograph from The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.

Highlights the programming developed in the 1990s. Created for the 25th Anniversary of the Aboriginal Film and Video Art Alliance. Duration: 15:46.

An image of three Aboriginal women in traditional clothing on horseback. Colours have been added to the photograph in a chromolithograph process.

Presents the Making Treaty 7 artists' material that was developed over a three-week residency. Duration: 1:31:27.

Introduction and archival black and white photographs taken between and 1948 during the renowned week-long celebrations.

Note: The title of this document uses wording that was common to mainstream society of that time period in history. As such, it contains language that is no longer in common use and may offend some readers. This wording should not be construed to represent the views of the Indigenous Studies Portal or the University of Saskatchewan Library. An image of two Aboriginal men in traditional clothing. They are standing on a blanket in front of what appears to be a sweatlodge.

This file contains a transcript of a portion of a sitting of the Royal Commission on Aboriginal Peoples at Vancouver, British Columbia. This portion includes a presentation of the Association of Canadian Publishers and Theytus Books by Karl Siegler and Greg Young-Ing concerning the issue of cultural advancement through writing and publication. Questions from the assembled Commissioners follow the presentation.

Interview with the artistic director of media and visual arts at the Banff Centre for the Arts.

English and Film Studies Thesis (Ph.D.)--University of Alberta, 2005.

First Nations, Inuit, and Metis spokespersons discuss the establishment of Aboriginal self-government in Canada by creating some viable models that reflect the traditional values of the people.

Entire issue on one pdf. To access article scroll to p.38.

Depicts the history of ceremonial regalia presented to a British political leader as a honorary chief.